Piano pedalling.
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Piano pedalling. by Reimar Riefling

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Published by Oxford University Press in London, New York .
Written in English


  • Piano -- Instruction and study

Book details:

Edition Notes

Includes bibliography.

StatementTranslated from the Norwegian by Kathleen Dale.
LC ClassificationsMT220.R545 K63
The Physical Object
Pagination68 p.
Number of Pages68
ID Numbers
Open LibraryOL5867838M
LC Control Number62052837

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  Rowland examines this through the technique and music of composer-pianists such as Beethoven, Liszt, and Chopin and follows the transition from harpsichord and clavichord to piano. The book also includes an appendix of translated extracts from three well-known piano-pedaling : David Rowland. COVID Resources. Reliable information about the coronavirus (COVID) is available from the World Health Organization (current situation, international travel).Numerous and frequently-updated resource results are available from this ’s WebJunction has pulled together information and resources to assist library staff as they consider how to handle coronavirus. David Rowland traces the history of piano pedalling from its beginnings in the eighteenth century to its first maturity in the middle of the nineteenth century and beyond. Pedalling technique was a major feature of nineteenth-century piano performance and, coupled with new developments in piano structure, inspired many composers to write innovative works for the literature. Pedaling--for color, for sonority, for sustaining certain tones--is an art, but one that must be based on historical considerations and on an understanding of the composer's intent. In The 5/5(1).

Rubinstein is considered Liszt's only possible rival on the concert stage while Carreño is the foremost woman pianist of the late 19th century. Together, they discuss "the soul of the piano": the art of piano pedaling. Rubinstein's technique is explored through works he performed in /5(11). Piano Pedalling: A Quick Guide. By Eubookshop. Decoding the Mystery of the Pedals. An entire book could easily be dedicated to the range of functions and effects that the right pedal provides. Of the three pedals, it is the one most vital for effective and exquisite piano play. However, there are a few key points to make about the right.   As Heinrich Neuhaus wrote in his amazing book The Art of Piano Playing, “The art of pedaling is governed by the ear”. We should remember this quote more often – and not only when using the pedal! Therefore, the first rule in using the sustain pedal is activating our hearing. Piano Pedalling Techniques – From Beginner to Advanced. If you are a pianist who is just starting out or are an intermediate then you will have come across this situation where you listen to someone play and it just sounds exquisite but once you try to replicate the same piece of music, it sounds nowhere close to what you had heard.

" a most precious book which every serious pianist and teacher must own." --Journal of the American Liszt Society Joseph Banowetz and four distinguished contributors provide practical suggestions and musicological insights on the pedaling of keyboard works from the 18th to the 20th century.4/5(20). “The more I play, the more I am thoroughly convinced that the pedal is the soul of the piano. There are cases where the pedal is everything” Anton Rubinstein. Two interesting books on the use of the piano pedals have been added to Piano Street’s new Special Content page. The books are downloadable as e-books in pdf-format.   "The Pianist's Guide to Pedaling" (Midland Book) Paperback – Septem , by Joseph Banowetz. Your local music library should have it, or you can get it from Amazon. It is pretty much considered the Bible on this subject. Nineteenth Century Piano Music A Handbook For Pianists (By Kathleen Dale) () Pedalling In Pianoforte Music (By Algernon H Lindo) () The Art Of Pianoforte Playing (By Ernst Pauer) () Practising The Piano (By Frank Marrick) () Piano Guided .